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Archive for October, 2007

Production project 2

We have finally met our goals of the project.
Everyone took their role seriously and have done their job very well I think.
Even though I was an editor, I could see what was required from the other roles and with all the cooperation a project was finely made.
It was first time for me to work on [...]

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feedback after rough cut

writen by gloria
Urban Vignettes: Russells Old Corner Shop
Feedback from Screening at Ryan’s House
-    Superimpose name and relationship that the people have (accepted)
-    Have cutaways of them doing things, people peering in etc(accepted)
-    Show more of the ambience of the place
Consultation with Daniel Rigos
-    Possible to find soundtrack or to go without music(accepted)
-    Have an establishing [...]

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work attachment

I have done my work attachment at two different work places.
1. Contributor at SBS radio Korean program, which was broadcasted every sunday 3pm-4pm at AM1224.
2. Reporter at Melbourne Journal – (the largest Korean community based weekly magazine)

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snap shot4

Rough cut is made. so we now can see the flow of the documentary easier. Some extra shots will still be made if necessary.
people who have viewed our documentary are mostly satisfied with the second version of the rough cut. We’re still at discussion for what shots to be taken away or what shots to [...]

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close to fine cut

After the rough cut screening with Daniel and Anne I just had adjusted sound levels and put in the names introducing the people, and the logo.
It still needs lot more adjustments with the picture/ colours/brightness and so on.
This secound rough cut version will be handed on to Lydia which she’ll bring to Russell’s and view with them.
meanwhile I’m waiting [...]

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today we’ve just viewed our rough cut with daniel.
I have made myself some notes to fix. things like the level of the sound or the edit between the shots.
The music seemed to be bit off track as we heard so it will be out and I’ll try two different ways to connect the opening sequence [...]

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